This morning BAFTA announced the nominees for their annual awards ceremony on February 10th and we’re thrilled that ILM worked on three of the five films that made the list! Congratulations to our artists Russell Earl (VFX Supervisor, Avengers: Infinity War), Craig Hammack (VFX Supervisor, Black Panther), Roger Guyett (Visual Effects Supervisor, Ready Player One),...
Ten films remain in the running in the Visual Effects category for the 91st Academy Awards, and we’re thrilled to have contributed to six of them. All members of the Visual Effects Branch will be invited to view 10-minute excerpts from each of the shortlisted films on Saturday, January 5, 2019. Following the screenings, members...
This article originally appeared in The Hollywood Reporter. Nine technical achievements, represented by 27 individual award recipients including ILM’s John Knoll, will be honored at the Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards Presentation on Feb. 9 at the Beverly Wilshire in Beverly Hills. Also during the evening, cinematographer Curtis Clark...
Industrial Light & Magic expanding its offering of best-in-class visual effects and animation services to include the streaming and episodic television market with a new division: ILM TV. The division will be based out of ILM’s new 47,000 square foot London studio and supported by the company’s global locations in San Francisco, Vancouver and Singapore....
Senior Generalist, Jorik Dozy’s ILM credits include Avengers: Infinity War and Star Wars: The Last Jedi. Recently, Jorik combined his love of the environment with his visual storytelling skills when he co-directed ‘Birthplace,’ Novo Amor’s impactful music video, which takes place on the ocean floor and highlights the tragic realities of plastic pollution. The video...
Join SVP, Executive Creative Director and Head of ILM, Rob Bredow for his keynote address from this year’s SIGGRAPH Conference in Vancouver. Bredow shares his unique understanding of how media and technological innovation can join forces to tell great stories and create groundbreaking experiences. Watch:
TELL US ABOUT YOUR ROLE AT ILM, AND HOW LONG YOU’VE BEEN IN THE FILM INDUSTRY.As CG Technology Supervisor of ILM, I work with the CG artist leads across our global studios, internal engineering groups, as well as with outside partners, to define and drive short and long-term technology strategy for ILM. I have 14...
Industrial Light & Magic (ILM), a Lucasfilm Ltd. company, announced today respected industry veteran Rob Bredow has been appointed SVP, executive creative director & head of ILM. In addition, it was announced that Gretchen Libby, has been promoted to vice president, marketing & production. Bredow will be in charge of all of ILM’s 4 global...
Recently, the Academy of Motion Picture Arts and Sciences honored White and three colleagues with a Technical Achievement Award for his original design of ILM’s procedural rigging system, Block Party. He is also nominated for an Academy Award for Visual Effects for his contribution to Kong: Skull Island. Jeff White joined Industrial Light & Magic in...
ILM Chief Creative Officer John Knoll took the stage at Apple’s Worldwide Developer Conference to share a cutting edge VR demonstration created by ILMxLAB and Epic Games utilizing Unreal Engine running on the newly-announced iMac computer. The demo showcased how realtime VR tools such as Unreal Engine running on powerful hardware are being used to...
Industrial Light & Magic’s Vancouver studio is leading the charge for the company on Luc Besson’s epic science fiction film, Valerian and the City of a Thousand Planets. The film, based on the french graphic novel series “Valerian and Laureline.” This film marks the first to be spearheaded by the Vancouver studio and the crew could...
Cinefex Magazine issue 152 has made its debut and the latest and greatest incarnation of Kong graces the cover. The issue features the publication’s trademark in-depth coverage of 2 films for which ILM was the primary visual effects company Kong: Skull Island and The Great Wall. Cinefex continues to be the periodical of record for the visual...
Open Bionics collaborated with ILMxLAB and the ILM Art Department to create the next generation of bionic hands for young amputees. The ILM team provided design concepts for the Marvel, Disney and Lucasfilm’s Star Wars inspired bionic hands. Numerous design concepts were created and from them three designs were selected to move into production including: From...
