by ggrusby | Oct 28, 2016 | Vision & Craft
HOW LONG HAVE YOU BEEN WITH ILM AND WHAT IS YOUR ROLE AT THE COMPANY? I’ve been at ILM for over 2 years. I am a Senior FX Technical Director, and have designed fx at ILM on “Warcraft: The Beginning”, “Ant-Man” and “Captain America:...
by ggrusby | Jan 29, 2016 | Vision & Craft
Launched by the Ile de France Commission, the Paris Images Digital Summit is devoted to digital creation in its multiple manifestations, the latest trends and innovations in digital visual effects, CGI, motion-capture, 3-D and disruptive technologies in cinema,...
by ggrusby | Jan 21, 2016 | Vision & Craft
The issue covers three films that ILM contributed visual effects to: Star Wars: The Force Awakens, The Revenant and Spectre. Star Wars: The Force Awakens Walt Disney Pictures and Lucasfilm Ltd. present the beginning of a new trilogy set in a distant galaxy, 30 years...
by ggrusby | Nov 2, 2015 | Vision & Craft
Amidst the glitz and glamour at last evening’s Hollywood Film Awards, Visual Effects Supervisor Tim Alexander was presented with the Hollywood Visual Effects Award for Jurassic World. Alexander accepted on behalf the film’s lead visual effects house, ILM,...
by ggrusby | Oct 14, 2015 | San Francisco News
Open Bionics collaborated with ILMxLAB and the ILM Art Department to create the next generation of bionic hands for young amputees. The ILM team provided design concepts for the Marvel, Disney and Lucasfilm’s Star Wars inspired bionic hands. Numerous design...
