by Ella Greig | Feb 6, 2025 | San Francisco News, Uncategorized
For over two decades, Wicked has transported theatre audiences into the untold story behind The Wizard of Oz (1939). Bringing its magic to the screen required a spectacle that not only honoured its Broadway origins but expanded beyond them. Among the many key...
by Ella Greig | Dec 6, 2024 | San Francisco News
The visual effects supervisor sheds light on the process behind developing the series’ fantastical realm. By Jay Stobie The Two Trees of Valinor in a shot from Season One (Credit: Amazon). Based on the work of J.R.R. Tolkien, Prime Video’s The Lord of the Rings: The...
by Ella Greig | Nov 27, 2024 | San Francisco News
Industrial Light & Magic brings creative commotion to the creatures and New York cityscape of A Quiet Place: Day One. By Clayton Sandell Alex Wolff as “Reuben” in A Quiet Place: Day One (Credit: Paramount Pictures). Surviving the extra-terrestrial terror of A...
by Ella Greig | Nov 21, 2024 | Sydney News, Vision & Craft
Visual effects supervisor Nelson Sepulveda-Fauser discusses the collaborative effort to make Alien fans scream once more. By Dan Brooks (Credit: 20th Century Studios) Nelson Sepulveda-Fauser remembers it well. It was summer 1979. He was 12 years old. Two years prior,...
by Ella Greig | Nov 8, 2024 | San Francisco News, Uncategorized
For Transformers one, the art department aimed to create shapes and silhouettes that appeared clean and simple from a distance, yet included intricate, purposeful details up-close, such as cut lines in the panels, smaller inset geometry, and layered panel work. Given...
